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    • 3 minute read
    • October 15, 2026
    Autumn Accents

    Words by Aman Dhami

    The GCC home is about so much more than fleeting trends – we discover how our preferences adapt with the seasons.

    If I had to name a favourite season, it would be autumn, without hesitation. Spring, in this region, carries a slight restlessness – you feel the heat gathering itself before it arrives, and there’s no comfort in that anticipation, only bracing. Autumn works the opposite way.

    By the time the first cooler evening lands, you’ve spent months looking forward to exactly this, and that anticipation turns into something closer to relief.

    Invitations start arriving again, calendars fill up, and the home changes character. It stops being a place you retreat to and becomes somewhere you actually want to spend time in. Doors are left open to the breeze, windows catching the last of the evening light, the year’s first gatherings finally underway.

    What’s interesting is how this plays out across interior spaces being designed and refreshed this autumn. Instead of one single trend, it’s like a shared instinct, echoed by very different voices.

    A bathroom designed by Warû

    Deep Red in Golden Light

    Beige has had its decade, and it’s finally growing up. The palette moving into Gulf homes this season is warmer and more decisive – deep reds, golden browns, tones that answer to the region’s evening light rather than fight it.

    “Red is having its moment,” observes Anusya Das, NCS Colour Trainer at Jotun UAE. “Not the loud, primary red you might expect, but the deep, library-inspired kind.”

    She also points to a key climatic element behind the shift. “Around five in the evening, the sun in the UAE goes very warm and very golden, and cool greys turn flat under it,” she explains.

    What this means is that even a super-matte ceiling in a warm tone, Anusya notes, can change how a room absorbs light before a single piece of furniture is moved.

    A property designed by Opaal Interiors

    “Lighting plays one of the biggest roles in making a home feel ready to host.”

    Objects That Have Lived

    This season, the instinct to furnish is giving way to the instinct to collect. Rasha Al-Tekreeti, founder of Warû, describes it as a pull toward “grounding materials, warm woods like walnut, rich textiles in earthy tones”. Ana Foster-Adams, founder of her eponymous Studio, takes it further still.

    “There’s a real draw to pieces with a story – patina, texture, hand-crafted and sculptural items that feel collected rather than bought,” Ana shares. Think a pedestal, a solo vase, a sculpture beside a chair – small vignettes rather than overhauls, softly shifting a room’s temperature.

    An Invitation to Gather

    Nowhere is this season more celebrated than around a dinner table. Terraces reopen, while doors stay unlocked between rooms and gardens. Noor Al Muhaideb, award-winning Emirati luxury interior designer and the founding partner of Opaal Interiors, designs for exactly this rhythm.

    “Outdoor spaces become an extension of a home,” Noor says. “We focus on creating spaces that connect indoor and outdoor living, where people can move naturally between both.”

    Rasha, on the other hand, frames it as flow. “The design should guide guests naturally to connect, without ever feeling awkward or lost,” she says. Ana, meanwhile, tends to lean more into the senses – dimmed light, candles, a signature scent, fresh flowers – “the things that make people feel instantly at ease”.

    A property designed by Warû

    The Language of Light

    If one idea unites every voice in this piece, it’s light. “Lighting plays one of the biggest roles in making a home feel ready to host,” says Noor.

    Rasha builds her lighting in layers, using floor lamps, table lamps, and candles, while Anusya makes the same case through paint, with matte finishes absorbing light rather than bouncing it, and a single committed wall doing more for a room than any bold furniture choice.

    A House That Tells on Its Owner

    What I keep returning to is the feeling that the best interiors this season resist the temptation to be performative, ‘showroom’ creations. Accents reflect intimate, personal choices – a wall painted in one confident colour; a bookshelf that looks collected over the years, not styled in minutes; a terrace simply opened up instead of being redesigned.

    Every conversation I had surfaced the same philosophy, phrased differently. Designers emphasised connection, shared experiences, spaces that invite you to settle in rather than gawk. These aren’t trends to be adopted, but instincts to be trusted.

    And that, in a nutshell, is the real story this autumn – homes that don’t focus on merely looking beautiful, but spaces that make people want to come in, and stay.

    Photos: Courtsey of Paal Interior and Warû

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